It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away. “He means it kindly,” laughed Phillips. “He is offering me an excuse to surrender gracefully. We must have a public meeting or two after Christmas, and clear the ground.” They had got into the habit of speaking in the plural.!

“I called at your diggings,” he said. “I had to go through London. They told me you had started. It is good of you.” The words made no immediate impression upon Joan. There had been rumours, threatenings and alarms, newspaper talk. But so there had been before. It would come one day: the world war that one felt was gathering in the air; that would burst like a second deluge on the nations. But it would not be in our time: it was too big. A way out would be found.

“Tell me,” she said. “What is God?” Mud! that seemed to be the one word with which to describe modern war. Mud everywhere! Mud ankle-deep upon the roads; mud into which you sank up to your knees the moment you stepped off it; tents and huts to which you waded through the mud, avoiding the slimy gangways on which you slipped and fell; mud-bespattered men, mud-bespattered horses, little donkeys, looking as if they had been sculptured out of mud, struggling up and down the light railways that every now and then would disappear and be lost beneath the mud; guns and wagons groaning through the mud; lorries and ambulances, that in the darkness had swerved from the straight course, overturned and lying abandoned in the mud, motor-cyclists ploughing swift furrows through the mud, rolling it back in liquid streams each side of them; staff cars rushing screaming through the mud, followed by a rushing fountain of mud; serried ranks of muddy men stamping through the mud with steady rhythm, moving through a rain of mud, rising upward from the ground; long lines of motor-buses filled with a mass of muddy humanity packed shoulder to shoulder, rumbling ever through the endless mud. “No,” answered the other, “I was at Hastings—Miss Gwyn’s. Funny how we seem to have always been near to one another. Dad wanted me to be a doctor. But I’d always been mad about art.”